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Tutti gli eventi saranno trasmessi online sul sito www. All events will be streamed on the website www. It is with the utmost pleasure that we heartily welcome all delegates, speakers and audience to this International Conference. Organising it has been a challenge and a privilege; we are deeply thankful to all those who have helped us with the challenging aspects the Co-organisers, the Programme Committee, the Organising Committee, all sponsors, patrons and cooperators , and to those who have honoured us with their trust and presence. The COVID situation has forced us to reconsider all aspects of this Conference; however, it has led us to design a virtual event which will be available for all, free of charge and forever. Questo immaginario trova la sua espressione nelle figure della Seconda Prattica, che infatti ebbe accoglienza entusiastica nel vorace e multiforme mondo musicale tedesco del Seicento.
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Notes from phish. Wolfman's contained a vocal jam. Ramble On was played for the first time since August 12, shows. See you all next year. From the soundcheck, Ramble On and the second and third versions of Whole Lotta Love were incomplete. Destiny Unbound in the soundcheck was played by only Mike and Fish.
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The Journal of Seventeenth-Century Music
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Items appearing in JSCM may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the Editor-in-Chief of JSCM. Any authorized redistribution of an item published in JSCM must include the following information in a form appropriate to the medium in which it is to appear:. Libraries may archive issues of JSCM in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. The content of an article in JSCM is stable once it is published although subsequent communications about it are noted and linked at the end of the original article ; therefore, the date of access is optional in a citation. The instruments themselves have mostly disappeared with the passage of time, surviving instruments have often been altered in more recent years, contemporaneous descriptions of instruments are usually superficial, music theorists were often ill-informed or not very interested in the details of instruments, iconographical depictions of instruments may be inaccurate or fanciful, even in plates in treatises, and musical sources themselves usually provide virtually no information regarding the instruments that are so cursorily and ambiguously identified as the players of particular parts.